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			2625 lines
		
	
	
		
			74 KiB
		
	
	
	
		
			Plaintext
		
	
	
	
	
	
| @chapter Encoders
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| @c man begin ENCODERS
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| 
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| Encoders are configured elements in FFmpeg which allow the encoding of
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| multimedia streams.
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| 
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| When you configure your FFmpeg build, all the supported native encoders
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| are enabled by default. Encoders requiring an external library must be enabled
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| manually via the corresponding @code{--enable-lib} option. You can list all
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| available encoders using the configure option @code{--list-encoders}.
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| 
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| You can disable all the encoders with the configure option
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| @code{--disable-encoders} and selectively enable / disable single encoders
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| with the options @code{--enable-encoder=@var{ENCODER}} /
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| @code{--disable-encoder=@var{ENCODER}}.
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| 
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| The option @code{-encoders} of the ff* tools will display the list of
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| enabled encoders.
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| 
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| @c man end ENCODERS
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| 
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| @chapter Audio Encoders
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| @c man begin AUDIO ENCODERS
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| 
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| A description of some of the currently available audio encoders
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| follows.
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| 
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| @anchor{aacenc}
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| @section aac
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| 
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| Advanced Audio Coding (AAC) encoder.
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| 
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| This encoder is the default AAC encoder, natively implemented into FFmpeg. Its
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| quality is on par or better than libfdk_aac at the default bitrate of 128kbps.
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| This encoder also implements more options, profiles and samplerates than
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| other encoders (with only the AAC-HE profile pending to be implemented) so this
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| encoder has become the default and is the recommended choice.
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| 
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| @subsection Options
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| 
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| @table @option
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| @item b
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| Set bit rate in bits/s. Setting this automatically activates constant bit rate
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| (CBR) mode. If this option is unspecified it is set to 128kbps.
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| 
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| @item q
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| Set quality for variable bit rate (VBR) mode. This option is valid only using
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| the @command{ffmpeg} command-line tool. For library interface users, use
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| @option{global_quality}.
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| 
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| @item cutoff
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| Set cutoff frequency. If unspecified will allow the encoder to dynamically
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| adjust the cutoff to improve clarity on low bitrates.
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| 
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| @item aac_coder
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| Set AAC encoder coding method. Possible values:
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| 
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| @table @samp
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| @item twoloop
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| Two loop searching (TLS) method.
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| 
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| This method first sets quantizers depending on band thresholds and then tries
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| to find an optimal combination by adding or subtracting a specific value from
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| all quantizers and adjusting some individual quantizer a little.
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| Will tune itself based on whether aac_is/aac_ms/aac_pns are enabled.
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| This is the default choice for a coder.
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| 
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| @item anmr
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| Average noise to mask ratio (ANMR) trellis-based solution.
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| 
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| This is an experimental coder which currently produces a lower quality, is more
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| unstable and is slower than the default twoloop coder but has potential.
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| Currently has no support for the @option{aac_is} or @option{aac_pns} options.
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| Not currently recommended.
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| 
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| @item fast
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| Constant quantizer method.
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| 
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| This method sets a constant quantizer for all bands. This is the fastest of all
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| the methods and has no rate control or support for @option{aac_is} or
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| @option{aac_pns}.
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| Not recommended.
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| 
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| @end table
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| 
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| @item aac_ms
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| Sets mid/side coding mode. The default value of auto will automatically use
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| M/S with bands which will benefit from such coding. Can be forced for all bands
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| using the value "enable", which is mainly useful for debugging or disabled using
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| "disable".
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| 
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| @item aac_is
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| Sets intensity stereo coding tool usage. By default, it's enabled and will
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| automatically toggle IS for similar pairs of stereo bands if it's benefitial.
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| Can be disabled for debugging by setting the value to "disable".
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| 
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| @item aac_pns
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| Uses perceptual noise substitution to replace low entropy high frequency bands
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| with imperceivable white noise during the decoding process. By default, it's
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| enabled, but can be disabled for debugging purposes by using "disable".
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| 
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| @item aac_tns
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| Enables the use of a multitap FIR filter which spans through the high frequency
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| bands to hide quantization noise during the encoding process and is reverted
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| by the decoder. As well as decreasing unpleasant artifacts in the high range
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| this also reduces the entropy in the high bands and allows for more bits to
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| be used by the mid-low bands. By default it's enabled but can be disabled for
 | |
| debugging by setting the option to "disable".
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| 
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| @item aac_ltp
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| Enables the use of the long term prediction extension which increases coding
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| efficiency in very low bandwidth situations such as encoding of voice or
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| solo piano music by extending constant harmonic peaks in bands throughout
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| frames. This option is implied by profile:a aac_low and is incompatible with
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| aac_pred. Use in conjunction with @option{-ar} to decrease the samplerate.
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| 
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| @item aac_pred
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| Enables the use of a more traditional style of prediction where the spectral
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| coefficients transmitted are replaced by the difference of the current
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| coefficients minus the previous "predicted" coefficients. In theory and sometimes
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| in practice this can improve quality for low to mid bitrate audio.
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| This option implies the aac_main profile and is incompatible with aac_ltp.
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| 
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| @item profile
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| Sets the encoding profile, possible values:
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| 
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| @table @samp
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| @item aac_low
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| The default, AAC "Low-complexity" profile. Is the most compatible and produces
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| decent quality.
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| 
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| @item mpeg2_aac_low
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| Equivalent to -profile:a aac_low -aac_pns 0. PNS was introduced with the MPEG4
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| specifications.
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| 
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| @item aac_ltp
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| Long term prediction profile, is enabled by and will enable the aac_ltp option.
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| Introduced in MPEG4.
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| 
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| @item aac_main
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| Main-type prediction profile, is enabled by and will enable the aac_pred option.
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| Introduced in MPEG2.
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| 
 | |
| If this option is unspecified it is set to @samp{aac_low}.
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| @end table
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| @end table
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| 
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| @section ac3 and ac3_fixed
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| 
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| AC-3 audio encoders.
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| 
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| These encoders implement part of ATSC A/52:2010 and ETSI TS 102 366, as well as
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| the undocumented RealAudio 3 (a.k.a. dnet).
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| 
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| The @var{ac3} encoder uses floating-point math, while the @var{ac3_fixed}
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| encoder only uses fixed-point integer math. This does not mean that one is
 | |
| always faster, just that one or the other may be better suited to a
 | |
| particular system. The floating-point encoder will generally produce better
 | |
| quality audio for a given bitrate. The @var{ac3_fixed} encoder is not the
 | |
| default codec for any of the output formats, so it must be specified explicitly
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| using the option @code{-acodec ac3_fixed} in order to use it.
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| 
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| @subsection AC-3 Metadata
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| 
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| The AC-3 metadata options are used to set parameters that describe the audio,
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| but in most cases do not affect the audio encoding itself. Some of the options
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| do directly affect or influence the decoding and playback of the resulting
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| bitstream, while others are just for informational purposes. A few of the
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| options will add bits to the output stream that could otherwise be used for
 | |
| audio data, and will thus affect the quality of the output. Those will be
 | |
| indicated accordingly with a note in the option list below.
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| 
 | |
| These parameters are described in detail in several publicly-available
 | |
| documents.
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| @itemize
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| @item @uref{http://www.atsc.org/cms/standards/a_52-2010.pdf,A/52:2010 - Digital Audio Compression (AC-3) (E-AC-3) Standard}
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| @item @uref{http://www.atsc.org/cms/standards/a_54a_with_corr_1.pdf,A/54 - Guide to the Use of the ATSC Digital Television Standard}
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| @item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/18_Metadata.Guide.pdf,Dolby Metadata Guide}
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| @item @uref{http://www.dolby.com/uploadedFiles/zz-_Shared_Assets/English_PDFs/Professional/46_DDEncodingGuidelines.pdf,Dolby Digital Professional Encoding Guidelines}
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| @end itemize
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| 
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| @subsubsection Metadata Control Options
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| 
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| @table @option
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| 
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| @item -per_frame_metadata @var{boolean}
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| Allow Per-Frame Metadata. Specifies if the encoder should check for changing
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| metadata for each frame.
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| @table @option
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| @item 0
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| The metadata values set at initialization will be used for every frame in the
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| stream. (default)
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| @item 1
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| Metadata values can be changed before encoding each frame.
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| @end table
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| 
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| @end table
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| 
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| @subsubsection Downmix Levels
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| 
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| @table @option
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| 
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| @item -center_mixlev @var{level}
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| Center Mix Level. The amount of gain the decoder should apply to the center
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| channel when downmixing to stereo. This field will only be written to the
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| bitstream if a center channel is present. The value is specified as a scale
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| factor. There are 3 valid values:
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| @table @option
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| @item 0.707
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| Apply -3dB gain
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| @item 0.595
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| Apply -4.5dB gain (default)
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| @item 0.500
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| Apply -6dB gain
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| @end table
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| 
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| @item -surround_mixlev @var{level}
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| Surround Mix Level. The amount of gain the decoder should apply to the surround
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| channel(s) when downmixing to stereo. This field will only be written to the
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| bitstream if one or more surround channels are present. The value is specified
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| as a scale factor.  There are 3 valid values:
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| @table @option
 | |
| @item 0.707
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| Apply -3dB gain
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| @item 0.500
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| Apply -6dB gain (default)
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| @item 0.000
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| Silence Surround Channel(s)
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| @end table
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| 
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| @end table
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| 
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| @subsubsection Audio Production Information
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| Audio Production Information is optional information describing the mixing
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| environment.  Either none or both of the fields are written to the bitstream.
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| 
 | |
| @table @option
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| 
 | |
| @item -mixing_level @var{number}
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| Mixing Level. Specifies peak sound pressure level (SPL) in the production
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| environment when the mix was mastered. Valid values are 80 to 111, or -1 for
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| unknown or not indicated. The default value is -1, but that value cannot be
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| used if the Audio Production Information is written to the bitstream. Therefore,
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| if the @code{room_type} option is not the default value, the @code{mixing_level}
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| option must not be -1.
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| 
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| @item -room_type @var{type}
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| Room Type. Describes the equalization used during the final mixing session at
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| the studio or on the dubbing stage. A large room is a dubbing stage with the
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| industry standard X-curve equalization; a small room has flat equalization.
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| This field will not be written to the bitstream if both the @code{mixing_level}
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| option and the @code{room_type} option have the default values.
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| @table @option
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| @item 0
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| @itemx notindicated
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| Not Indicated (default)
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| @item 1
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| @itemx large
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| Large Room
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| @item 2
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| @itemx small
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| Small Room
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| @end table
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| 
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| @end table
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| 
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| @subsubsection Other Metadata Options
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| 
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| @table @option
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| 
 | |
| @item -copyright @var{boolean}
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| Copyright Indicator. Specifies whether a copyright exists for this audio.
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| @table @option
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| @item 0
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| @itemx off
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| No Copyright Exists (default)
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| @item 1
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| @itemx on
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| Copyright Exists
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| @end table
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| 
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| @item -dialnorm @var{value}
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| Dialogue Normalization. Indicates how far the average dialogue level of the
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| program is below digital 100% full scale (0 dBFS). This parameter determines a
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| level shift during audio reproduction that sets the average volume of the
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| dialogue to a preset level. The goal is to match volume level between program
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| sources. A value of -31dB will result in no volume level change, relative to
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| the source volume, during audio reproduction. Valid values are whole numbers in
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| the range -31 to -1, with -31 being the default.
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| 
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| @item -dsur_mode @var{mode}
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| Dolby Surround Mode. Specifies whether the stereo signal uses Dolby Surround
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| (Pro Logic). This field will only be written to the bitstream if the audio
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| stream is stereo. Using this option does @b{NOT} mean the encoder will actually
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| apply Dolby Surround processing.
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| @table @option
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| @item 0
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| @itemx notindicated
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| Not Indicated (default)
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| @item 1
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| @itemx off
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| Not Dolby Surround Encoded
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| @item 2
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| @itemx on
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| Dolby Surround Encoded
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| @end table
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| 
 | |
| @item -original @var{boolean}
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| Original Bit Stream Indicator. Specifies whether this audio is from the
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| original source and not a copy.
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| @table @option
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| @item 0
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| @itemx off
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| Not Original Source
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| @item 1
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| @itemx on
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| Original Source (default)
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| @end table
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| 
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| @end table
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| 
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| @subsection Extended Bitstream Information
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| The extended bitstream options are part of the Alternate Bit Stream Syntax as
 | |
| specified in Annex D of the A/52:2010 standard. It is grouped into 2 parts.
 | |
| If any one parameter in a group is specified, all values in that group will be
 | |
| written to the bitstream.  Default values are used for those that are written
 | |
| but have not been specified.  If the mixing levels are written, the decoder
 | |
| will use these values instead of the ones specified in the @code{center_mixlev}
 | |
| and @code{surround_mixlev} options if it supports the Alternate Bit Stream
 | |
| Syntax.
 | |
| 
 | |
| @subsubsection Extended Bitstream Information - Part 1
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item -dmix_mode @var{mode}
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| Preferred Stereo Downmix Mode. Allows the user to select either Lt/Rt
 | |
| (Dolby Surround) or Lo/Ro (normal stereo) as the preferred stereo downmix mode.
 | |
| @table @option
 | |
| @item 0
 | |
| @itemx notindicated
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| Not Indicated (default)
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| @item 1
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| @itemx ltrt
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| Lt/Rt Downmix Preferred
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| @item 2
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| @itemx loro
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| Lo/Ro Downmix Preferred
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| @end table
 | |
| 
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| @item -ltrt_cmixlev @var{level}
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| Lt/Rt Center Mix Level. The amount of gain the decoder should apply to the
 | |
| center channel when downmixing to stereo in Lt/Rt mode.
 | |
| @table @option
 | |
| @item 1.414
 | |
| Apply +3dB gain
 | |
| @item 1.189
 | |
| Apply +1.5dB gain
 | |
| @item 1.000
 | |
| Apply 0dB gain
 | |
| @item 0.841
 | |
| Apply -1.5dB gain
 | |
| @item 0.707
 | |
| Apply -3.0dB gain
 | |
| @item 0.595
 | |
| Apply -4.5dB gain (default)
 | |
| @item 0.500
 | |
| Apply -6.0dB gain
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| @item 0.000
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| Silence Center Channel
 | |
| @end table
 | |
| 
 | |
| @item -ltrt_surmixlev @var{level}
 | |
| Lt/Rt Surround Mix Level. The amount of gain the decoder should apply to the
 | |
| surround channel(s) when downmixing to stereo in Lt/Rt mode.
 | |
| @table @option
 | |
| @item 0.841
 | |
| Apply -1.5dB gain
 | |
| @item 0.707
 | |
| Apply -3.0dB gain
 | |
| @item 0.595
 | |
| Apply -4.5dB gain
 | |
| @item 0.500
 | |
| Apply -6.0dB gain (default)
 | |
| @item 0.000
 | |
| Silence Surround Channel(s)
 | |
| @end table
 | |
| 
 | |
| @item -loro_cmixlev @var{level}
 | |
| Lo/Ro Center Mix Level. The amount of gain the decoder should apply to the
 | |
| center channel when downmixing to stereo in Lo/Ro mode.
 | |
| @table @option
 | |
| @item 1.414
 | |
| Apply +3dB gain
 | |
| @item 1.189
 | |
| Apply +1.5dB gain
 | |
| @item 1.000
 | |
| Apply 0dB gain
 | |
| @item 0.841
 | |
| Apply -1.5dB gain
 | |
| @item 0.707
 | |
| Apply -3.0dB gain
 | |
| @item 0.595
 | |
| Apply -4.5dB gain (default)
 | |
| @item 0.500
 | |
| Apply -6.0dB gain
 | |
| @item 0.000
 | |
| Silence Center Channel
 | |
| @end table
 | |
| 
 | |
| @item -loro_surmixlev @var{level}
 | |
| Lo/Ro Surround Mix Level. The amount of gain the decoder should apply to the
 | |
| surround channel(s) when downmixing to stereo in Lo/Ro mode.
 | |
| @table @option
 | |
| @item 0.841
 | |
| Apply -1.5dB gain
 | |
| @item 0.707
 | |
| Apply -3.0dB gain
 | |
| @item 0.595
 | |
| Apply -4.5dB gain
 | |
| @item 0.500
 | |
| Apply -6.0dB gain (default)
 | |
| @item 0.000
 | |
| Silence Surround Channel(s)
 | |
| @end table
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @subsubsection Extended Bitstream Information - Part 2
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item -dsurex_mode @var{mode}
 | |
| Dolby Surround EX Mode. Indicates whether the stream uses Dolby Surround EX
 | |
| (7.1 matrixed to 5.1). Using this option does @b{NOT} mean the encoder will actually
 | |
| apply Dolby Surround EX processing.
 | |
| @table @option
 | |
| @item 0
 | |
| @itemx notindicated
 | |
| Not Indicated (default)
 | |
| @item 1
 | |
| @itemx on
 | |
| Dolby Surround EX Off
 | |
| @item 2
 | |
| @itemx off
 | |
| Dolby Surround EX On
 | |
| @end table
 | |
| 
 | |
| @item -dheadphone_mode @var{mode}
 | |
| Dolby Headphone Mode. Indicates whether the stream uses Dolby Headphone
 | |
| encoding (multi-channel matrixed to 2.0 for use with headphones). Using this
 | |
| option does @b{NOT} mean the encoder will actually apply Dolby Headphone
 | |
| processing.
 | |
| @table @option
 | |
| @item 0
 | |
| @itemx notindicated
 | |
| Not Indicated (default)
 | |
| @item 1
 | |
| @itemx on
 | |
| Dolby Headphone Off
 | |
| @item 2
 | |
| @itemx off
 | |
| Dolby Headphone On
 | |
| @end table
 | |
| 
 | |
| @item -ad_conv_type @var{type}
 | |
| A/D Converter Type. Indicates whether the audio has passed through HDCD A/D
 | |
| conversion.
 | |
| @table @option
 | |
| @item 0
 | |
| @itemx standard
 | |
| Standard A/D Converter (default)
 | |
| @item 1
 | |
| @itemx hdcd
 | |
| HDCD A/D Converter
 | |
| @end table
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @subsection Other AC-3 Encoding Options
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item -stereo_rematrixing @var{boolean}
 | |
| Stereo Rematrixing. Enables/Disables use of rematrixing for stereo input. This
 | |
| is an optional AC-3 feature that increases quality by selectively encoding
 | |
| the left/right channels as mid/side. This option is enabled by default, and it
 | |
| is highly recommended that it be left as enabled except for testing purposes.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @subsection Floating-Point-Only AC-3 Encoding Options
 | |
| 
 | |
| These options are only valid for the floating-point encoder and do not exist
 | |
| for the fixed-point encoder due to the corresponding features not being
 | |
| implemented in fixed-point.
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item -channel_coupling @var{boolean}
 | |
| Enables/Disables use of channel coupling, which is an optional AC-3 feature
 | |
| that increases quality by combining high frequency information from multiple
 | |
| channels into a single channel. The per-channel high frequency information is
 | |
| sent with less accuracy in both the frequency and time domains. This allows
 | |
| more bits to be used for lower frequencies while preserving enough information
 | |
| to reconstruct the high frequencies. This option is enabled by default for the
 | |
| floating-point encoder and should generally be left as enabled except for
 | |
| testing purposes or to increase encoding speed.
 | |
| @table @option
 | |
| @item -1
 | |
| @itemx auto
 | |
| Selected by Encoder (default)
 | |
| @item 0
 | |
| @itemx off
 | |
| Disable Channel Coupling
 | |
| @item 1
 | |
| @itemx on
 | |
| Enable Channel Coupling
 | |
| @end table
 | |
| 
 | |
| @item -cpl_start_band @var{number}
 | |
| Coupling Start Band. Sets the channel coupling start band, from 1 to 15. If a
 | |
| value higher than the bandwidth is used, it will be reduced to 1 less than the
 | |
| coupling end band. If @var{auto} is used, the start band will be determined by
 | |
| the encoder based on the bit rate, sample rate, and channel layout. This option
 | |
| has no effect if channel coupling is disabled.
 | |
| @table @option
 | |
| @item -1
 | |
| @itemx auto
 | |
| Selected by Encoder (default)
 | |
| @end table
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @anchor{flac}
 | |
| @section flac
 | |
| 
 | |
| FLAC (Free Lossless Audio Codec) Encoder
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following options are supported by FFmpeg's flac encoder.
 | |
| 
 | |
| @table @option
 | |
| @item compression_level
 | |
| Sets the compression level, which chooses defaults for many other options
 | |
| if they are not set explicitly.
 | |
| 
 | |
| @item frame_size
 | |
| Sets the size of the frames in samples per channel.
 | |
| 
 | |
| @item lpc_coeff_precision
 | |
| Sets the LPC coefficient precision, valid values are from 1 to 15, 15 is the
 | |
| default.
 | |
| 
 | |
| @item lpc_type
 | |
| Sets the first stage LPC algorithm
 | |
| @table @samp
 | |
| @item none
 | |
| LPC is not used
 | |
| 
 | |
| @item fixed
 | |
| fixed LPC coefficients
 | |
| 
 | |
| @item levinson
 | |
| 
 | |
| @item cholesky
 | |
| @end table
 | |
| 
 | |
| @item lpc_passes
 | |
| Number of passes to use for Cholesky factorization during LPC analysis
 | |
| 
 | |
| @item min_partition_order
 | |
| The minimum partition order
 | |
| 
 | |
| @item max_partition_order
 | |
| The maximum partition order
 | |
| 
 | |
| @item prediction_order_method
 | |
| @table @samp
 | |
| @item estimation
 | |
| @item 2level
 | |
| @item 4level
 | |
| @item 8level
 | |
| @item search
 | |
| Bruteforce search
 | |
| @item log
 | |
| @end table
 | |
| 
 | |
| @item ch_mode
 | |
| Channel mode
 | |
| @table @samp
 | |
| @item auto
 | |
| The mode is chosen automatically for each frame
 | |
| @item indep
 | |
| Chanels are independently coded
 | |
| @item left_side
 | |
| @item right_side
 | |
| @item mid_side
 | |
| @end table
 | |
| 
 | |
| @item exact_rice_parameters
 | |
| Chooses if rice parameters are calculated exactly or approximately.
 | |
| if set to 1 then they are chosen exactly, which slows the code down slightly and
 | |
| improves compression slightly.
 | |
| 
 | |
| @item multi_dim_quant
 | |
| Multi Dimensional Quantization. If set to 1 then a 2nd stage LPC algorithm is
 | |
| applied after the first stage to finetune the coefficients. This is quite slow
 | |
| and slightly improves compression.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @anchor{libfaac}
 | |
| @section libfaac
 | |
| 
 | |
| libfaac AAC (Advanced Audio Coding) encoder wrapper.
 | |
| 
 | |
| This encoder is of much lower quality and is more unstable than any other AAC
 | |
| encoders, so it's highly recommended to instead use other encoders, like
 | |
| @ref{aacenc,,the native FFmpeg AAC encoder}.
 | |
| 
 | |
| This encoder also requires the presence of the libfaac headers and library
 | |
| during configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libfaac --enable-nonfree}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following shared FFmpeg codec options are recognized.
 | |
| 
 | |
| The following options are supported by the libfaac wrapper. The
 | |
| @command{faac}-equivalent of the options are listed in parentheses.
 | |
| 
 | |
| @table @option
 | |
| @item b (@emph{-b})
 | |
| Set bit rate in bits/s for ABR (Average Bit Rate) mode. If the bit rate
 | |
| is not explicitly specified, it is automatically set to a suitable
 | |
| value depending on the selected profile. @command{faac} bitrate is
 | |
| expressed in kilobits/s.
 | |
| 
 | |
| Note that libfaac does not support CBR (Constant Bit Rate) but only
 | |
| ABR (Average Bit Rate).
 | |
| 
 | |
| If VBR mode is enabled this option is ignored.
 | |
| 
 | |
| @item ar (@emph{-R})
 | |
| Set audio sampling rate (in Hz).
 | |
| 
 | |
| @item ac (@emph{-c})
 | |
| Set the number of audio channels.
 | |
| 
 | |
| @item cutoff (@emph{-C})
 | |
| Set cutoff frequency. If not specified (or explicitly set to 0) it
 | |
| will use a value automatically computed by the library. Default value
 | |
| is 0.
 | |
| 
 | |
| @item profile
 | |
| Set audio profile.
 | |
| 
 | |
| The following profiles are recognized:
 | |
| @table @samp
 | |
| @item aac_main
 | |
| Main AAC (Main)
 | |
| 
 | |
| @item aac_low
 | |
| Low Complexity AAC (LC)
 | |
| 
 | |
| @item aac_ssr
 | |
| Scalable Sample Rate (SSR)
 | |
| 
 | |
| @item aac_ltp
 | |
| Long Term Prediction (LTP)
 | |
| @end table
 | |
| 
 | |
| If not specified it is set to @samp{aac_low}.
 | |
| 
 | |
| @item flags +qscale
 | |
| Set constant quality VBR (Variable Bit Rate) mode.
 | |
| 
 | |
| @item global_quality
 | |
| Set quality in VBR mode as an integer number of lambda units.
 | |
| 
 | |
| Only relevant when VBR mode is enabled with @code{flags +qscale}.  The
 | |
| value is converted to QP units by dividing it by @code{FF_QP2LAMBDA},
 | |
| and used to set the quality value used by libfaac. A reasonable range
 | |
| for the option value in QP units is [10-500], the higher the value the
 | |
| higher the quality.
 | |
| 
 | |
| @item q (@emph{-q})
 | |
| Enable VBR mode when set to a non-negative value, and set constant
 | |
| quality value as a double floating point value in QP units.
 | |
| 
 | |
| The value sets the quality value used by libfaac. A reasonable range
 | |
| for the option value is [10-500], the higher the value the higher the
 | |
| quality.
 | |
| 
 | |
| This option is valid only using the @command{ffmpeg} command-line
 | |
| tool. For library interface users, use @option{global_quality}.
 | |
| @end table
 | |
| 
 | |
| @subsection Examples
 | |
| 
 | |
| @itemize
 | |
| @item
 | |
| Use @command{ffmpeg} to convert an audio file to ABR 128 kbps AAC in an M4A (MP4)
 | |
| container:
 | |
| @example
 | |
| ffmpeg -i input.wav -codec:a libfaac -b:a 128k -output.m4a
 | |
| @end example
 | |
| 
 | |
| @item
 | |
| Use @command{ffmpeg} to convert an audio file to VBR AAC, using the
 | |
| LTP AAC profile:
 | |
| @example
 | |
| ffmpeg -i input.wav -c:a libfaac -profile:a aac_ltp -q:a 100 output.m4a
 | |
| @end example
 | |
| @end itemize
 | |
| 
 | |
| @anchor{libfdk-aac-enc}
 | |
| @section libfdk_aac
 | |
| 
 | |
| libfdk-aac AAC (Advanced Audio Coding) encoder wrapper.
 | |
| 
 | |
| The libfdk-aac library is based on the Fraunhofer FDK AAC code from
 | |
| the Android project.
 | |
| 
 | |
| Requires the presence of the libfdk-aac headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libfdk-aac}. The library is also incompatible with GPL,
 | |
| so if you allow the use of GPL, you should configure with
 | |
| @code{--enable-gpl --enable-nonfree --enable-libfdk-aac}.
 | |
| 
 | |
| This encoder is considered to produce output on par or worse at 128kbps to the
 | |
| @ref{aacenc,,the native FFmpeg AAC encoder} but can often produce better
 | |
| sounding audio at identical or lower bitrates and has support for the
 | |
| AAC-HE profiles.
 | |
| 
 | |
| VBR encoding, enabled through the @option{vbr} or @option{flags
 | |
| +qscale} options, is experimental and only works with some
 | |
| combinations of parameters.
 | |
| 
 | |
| Support for encoding 7.1 audio is only available with libfdk-aac 0.1.3 or
 | |
| higher.
 | |
| 
 | |
| For more information see the fdk-aac project at
 | |
| @url{http://sourceforge.net/p/opencore-amr/fdk-aac/}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following options are mapped on the shared FFmpeg codec options.
 | |
| 
 | |
| @table @option
 | |
| @item b
 | |
| Set bit rate in bits/s. If the bitrate is not explicitly specified, it
 | |
| is automatically set to a suitable value depending on the selected
 | |
| profile.
 | |
| 
 | |
| In case VBR mode is enabled the option is ignored.
 | |
| 
 | |
| @item ar
 | |
| Set audio sampling rate (in Hz).
 | |
| 
 | |
| @item channels
 | |
| Set the number of audio channels.
 | |
| 
 | |
| @item flags +qscale
 | |
| Enable fixed quality, VBR (Variable Bit Rate) mode.
 | |
| Note that VBR is implicitly enabled when the @option{vbr} value is
 | |
| positive.
 | |
| 
 | |
| @item cutoff
 | |
| Set cutoff frequency. If not specified (or explicitly set to 0) it
 | |
| will use a value automatically computed by the library. Default value
 | |
| is 0.
 | |
| 
 | |
| @item profile
 | |
| Set audio profile.
 | |
| 
 | |
| The following profiles are recognized:
 | |
| @table @samp
 | |
| @item aac_low
 | |
| Low Complexity AAC (LC)
 | |
| 
 | |
| @item aac_he
 | |
| High Efficiency AAC (HE-AAC)
 | |
| 
 | |
| @item aac_he_v2
 | |
| High Efficiency AAC version 2 (HE-AACv2)
 | |
| 
 | |
| @item aac_ld
 | |
| Low Delay AAC (LD)
 | |
| 
 | |
| @item aac_eld
 | |
| Enhanced Low Delay AAC (ELD)
 | |
| @end table
 | |
| 
 | |
| If not specified it is set to @samp{aac_low}.
 | |
| @end table
 | |
| 
 | |
| The following are private options of the libfdk_aac encoder.
 | |
| 
 | |
| @table @option
 | |
| @item afterburner
 | |
| Enable afterburner feature if set to 1, disabled if set to 0. This
 | |
| improves the quality but also the required processing power.
 | |
| 
 | |
| Default value is 1.
 | |
| 
 | |
| @item eld_sbr
 | |
| Enable SBR (Spectral Band Replication) for ELD if set to 1, disabled
 | |
| if set to 0.
 | |
| 
 | |
| Default value is 0.
 | |
| 
 | |
| @item signaling
 | |
| Set SBR/PS signaling style.
 | |
| 
 | |
| It can assume one of the following values:
 | |
| @table @samp
 | |
| @item default
 | |
| choose signaling implicitly (explicit hierarchical by default,
 | |
| implicit if global header is disabled)
 | |
| 
 | |
| @item implicit
 | |
| implicit backwards compatible signaling
 | |
| 
 | |
| @item explicit_sbr
 | |
| explicit SBR, implicit PS signaling
 | |
| 
 | |
| @item explicit_hierarchical
 | |
| explicit hierarchical signaling
 | |
| @end table
 | |
| 
 | |
| Default value is @samp{default}.
 | |
| 
 | |
| @item latm
 | |
| Output LATM/LOAS encapsulated data if set to 1, disabled if set to 0.
 | |
| 
 | |
| Default value is 0.
 | |
| 
 | |
| @item header_period
 | |
| Set StreamMuxConfig and PCE repetition period (in frames) for sending
 | |
| in-band configuration buffers within LATM/LOAS transport layer.
 | |
| 
 | |
| Must be a 16-bits non-negative integer.
 | |
| 
 | |
| Default value is 0.
 | |
| 
 | |
| @item vbr
 | |
| Set VBR mode, from 1 to 5. 1 is lowest quality (though still pretty
 | |
| good) and 5 is highest quality. A value of 0 will disable VBR, and CBR
 | |
| (Constant Bit Rate) is enabled.
 | |
| 
 | |
| Currently only the @samp{aac_low} profile supports VBR encoding.
 | |
| 
 | |
| VBR modes 1-5 correspond to roughly the following average bit rates:
 | |
| 
 | |
| @table @samp
 | |
| @item 1
 | |
| 32 kbps/channel
 | |
| @item 2
 | |
| 40 kbps/channel
 | |
| @item 3
 | |
| 48-56 kbps/channel
 | |
| @item 4
 | |
| 64 kbps/channel
 | |
| @item 5
 | |
| about 80-96 kbps/channel
 | |
| @end table
 | |
| 
 | |
| Default value is 0.
 | |
| @end table
 | |
| 
 | |
| @subsection Examples
 | |
| 
 | |
| @itemize
 | |
| @item
 | |
| Use @command{ffmpeg} to convert an audio file to VBR AAC in an M4A (MP4)
 | |
| container:
 | |
| @example
 | |
| ffmpeg -i input.wav -codec:a libfdk_aac -vbr 3 output.m4a
 | |
| @end example
 | |
| 
 | |
| @item
 | |
| Use @command{ffmpeg} to convert an audio file to CBR 64k kbps AAC, using the
 | |
| High-Efficiency AAC profile:
 | |
| @example
 | |
| ffmpeg -i input.wav -c:a libfdk_aac -profile:a aac_he -b:a 64k output.m4a
 | |
| @end example
 | |
| @end itemize
 | |
| 
 | |
| @anchor{libmp3lame}
 | |
| @section libmp3lame
 | |
| 
 | |
| LAME (Lame Ain't an MP3 Encoder) MP3 encoder wrapper.
 | |
| 
 | |
| Requires the presence of the libmp3lame headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libmp3lame}.
 | |
| 
 | |
| See @ref{libshine} for a fixed-point MP3 encoder, although with a
 | |
| lower quality.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following options are supported by the libmp3lame wrapper. The
 | |
| @command{lame}-equivalent of the options are listed in parentheses.
 | |
| 
 | |
| @table @option
 | |
| @item b (@emph{-b})
 | |
| Set bitrate expressed in bits/s for CBR or ABR. LAME @code{bitrate} is
 | |
| expressed in kilobits/s.
 | |
| 
 | |
| @item q (@emph{-V})
 | |
| Set constant quality setting for VBR. This option is valid only
 | |
| using the @command{ffmpeg} command-line tool. For library interface
 | |
| users, use @option{global_quality}.
 | |
| 
 | |
| @item compression_level (@emph{-q})
 | |
| Set algorithm quality. Valid arguments are integers in the 0-9 range,
 | |
| with 0 meaning highest quality but slowest, and 9 meaning fastest
 | |
| while producing the worst quality.
 | |
| 
 | |
| @item reservoir
 | |
| Enable use of bit reservoir when set to 1. Default value is 1. LAME
 | |
| has this enabled by default, but can be overridden by use
 | |
| @option{--nores} option.
 | |
| 
 | |
| @item joint_stereo (@emph{-m j})
 | |
| Enable the encoder to use (on a frame by frame basis) either L/R
 | |
| stereo or mid/side stereo. Default value is 1.
 | |
| 
 | |
| @item abr (@emph{--abr})
 | |
| Enable the encoder to use ABR when set to 1. The @command{lame}
 | |
| @option{--abr} sets the target bitrate, while this options only
 | |
| tells FFmpeg to use ABR still relies on @option{b} to set bitrate.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @section libopencore-amrnb
 | |
| 
 | |
| OpenCORE Adaptive Multi-Rate Narrowband encoder.
 | |
| 
 | |
| Requires the presence of the libopencore-amrnb headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libopencore-amrnb --enable-version3}.
 | |
| 
 | |
| This is a mono-only encoder. Officially it only supports 8000Hz sample rate,
 | |
| but you can override it by setting @option{strict} to @samp{unofficial} or
 | |
| lower.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item b
 | |
| Set bitrate in bits per second. Only the following bitrates are supported,
 | |
| otherwise libavcodec will round to the nearest valid bitrate.
 | |
| 
 | |
| @table @option
 | |
| @item 4750
 | |
| @item 5150
 | |
| @item 5900
 | |
| @item 6700
 | |
| @item 7400
 | |
| @item 7950
 | |
| @item 10200
 | |
| @item 12200
 | |
| @end table
 | |
| 
 | |
| @item dtx
 | |
| Allow discontinuous transmission (generate comfort noise) when set to 1. The
 | |
| default value is 0 (disabled).
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @anchor{libshine}
 | |
| @section libshine
 | |
| 
 | |
| Shine Fixed-Point MP3 encoder wrapper.
 | |
| 
 | |
| Shine is a fixed-point MP3 encoder. It has a far better performance on
 | |
| platforms without an FPU, e.g. armel CPUs, and some phones and tablets.
 | |
| However, as it is more targeted on performance than quality, it is not on par
 | |
| with LAME and other production-grade encoders quality-wise. Also, according to
 | |
| the project's homepage, this encoder may not be free of bugs as the code was
 | |
| written a long time ago and the project was dead for at least 5 years.
 | |
| 
 | |
| This encoder only supports stereo and mono input. This is also CBR-only.
 | |
| 
 | |
| The original project (last updated in early 2007) is at
 | |
| @url{http://sourceforge.net/projects/libshine-fxp/}. We only support the
 | |
| updated fork by the Savonet/Liquidsoap project at @url{https://github.com/savonet/shine}.
 | |
| 
 | |
| Requires the presence of the libshine headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libshine}.
 | |
| 
 | |
| See also @ref{libmp3lame}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following options are supported by the libshine wrapper. The
 | |
| @command{shineenc}-equivalent of the options are listed in parentheses.
 | |
| 
 | |
| @table @option
 | |
| @item b (@emph{-b})
 | |
| Set bitrate expressed in bits/s for CBR. @command{shineenc} @option{-b} option
 | |
| is expressed in kilobits/s.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @section libtwolame
 | |
| 
 | |
| TwoLAME MP2 encoder wrapper.
 | |
| 
 | |
| Requires the presence of the libtwolame headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libtwolame}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following options are supported by the libtwolame wrapper. The
 | |
| @command{twolame}-equivalent options follow the FFmpeg ones and are in
 | |
| parentheses.
 | |
| 
 | |
| @table @option
 | |
| @item b (@emph{-b})
 | |
| Set bitrate expressed in bits/s for CBR. @command{twolame} @option{b}
 | |
| option is expressed in kilobits/s. Default value is 128k.
 | |
| 
 | |
| @item q (@emph{-V})
 | |
| Set quality for experimental VBR support. Maximum value range is
 | |
| from -50 to 50, useful range is from -10 to 10. The higher the
 | |
| value, the better the quality. This option is valid only using the
 | |
| @command{ffmpeg} command-line tool. For library interface users,
 | |
| use @option{global_quality}.
 | |
| 
 | |
| @item mode (@emph{--mode})
 | |
| Set the mode of the resulting audio. Possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item auto
 | |
| Choose mode automatically based on the input. This is the default.
 | |
| @item stereo
 | |
| Stereo
 | |
| @item joint_stereo
 | |
| Joint stereo
 | |
| @item dual_channel
 | |
| Dual channel
 | |
| @item mono
 | |
| Mono
 | |
| @end table
 | |
| 
 | |
| @item psymodel (@emph{--psyc-mode})
 | |
| Set psychoacoustic model to use in encoding. The argument must be
 | |
| an integer between -1 and 4, inclusive. The higher the value, the
 | |
| better the quality. The default value is 3.
 | |
| 
 | |
| @item energy_levels (@emph{--energy})
 | |
| Enable energy levels extensions when set to 1. The default value is
 | |
| 0 (disabled).
 | |
| 
 | |
| @item error_protection (@emph{--protect})
 | |
| Enable CRC error protection when set to 1. The default value is 0
 | |
| (disabled).
 | |
| 
 | |
| @item copyright (@emph{--copyright})
 | |
| Set MPEG audio copyright flag when set to 1. The default value is 0
 | |
| (disabled).
 | |
| 
 | |
| @item original (@emph{--original})
 | |
| Set MPEG audio original flag when set to 1. The default value is 0
 | |
| (disabled).
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @section libvo-amrwbenc
 | |
| 
 | |
| VisualOn Adaptive Multi-Rate Wideband encoder.
 | |
| 
 | |
| Requires the presence of the libvo-amrwbenc headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libvo-amrwbenc --enable-version3}.
 | |
| 
 | |
| This is a mono-only encoder. Officially it only supports 16000Hz sample
 | |
| rate, but you can override it by setting @option{strict} to
 | |
| @samp{unofficial} or lower.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item b
 | |
| Set bitrate in bits/s. Only the following bitrates are supported, otherwise
 | |
| libavcodec will round to the nearest valid bitrate.
 | |
| 
 | |
| @table @samp
 | |
| @item 6600
 | |
| @item 8850
 | |
| @item 12650
 | |
| @item 14250
 | |
| @item 15850
 | |
| @item 18250
 | |
| @item 19850
 | |
| @item 23050
 | |
| @item 23850
 | |
| @end table
 | |
| 
 | |
| @item dtx
 | |
| Allow discontinuous transmission (generate comfort noise) when set to 1. The
 | |
| default value is 0 (disabled).
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @section libopus
 | |
| 
 | |
| libopus Opus Interactive Audio Codec encoder wrapper.
 | |
| 
 | |
| Requires the presence of the libopus headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libopus}.
 | |
| 
 | |
| @subsection Option Mapping
 | |
| 
 | |
| Most libopus options are modelled after the @command{opusenc} utility from
 | |
| opus-tools. The following is an option mapping chart describing options
 | |
| supported by the libopus wrapper, and their @command{opusenc}-equivalent
 | |
| in parentheses.
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item b (@emph{bitrate})
 | |
| Set the bit rate in bits/s.  FFmpeg's @option{b} option is
 | |
| expressed in bits/s, while @command{opusenc}'s @option{bitrate} in
 | |
| kilobits/s.
 | |
| 
 | |
| @item vbr (@emph{vbr}, @emph{hard-cbr}, and @emph{cvbr})
 | |
| Set VBR mode. The FFmpeg @option{vbr} option has the following
 | |
| valid arguments, with the @command{opusenc} equivalent options
 | |
| in parentheses:
 | |
| 
 | |
| @table @samp
 | |
| @item off (@emph{hard-cbr})
 | |
| Use constant bit rate encoding.
 | |
| 
 | |
| @item on (@emph{vbr})
 | |
| Use variable bit rate encoding (the default).
 | |
| 
 | |
| @item constrained (@emph{cvbr})
 | |
| Use constrained variable bit rate encoding.
 | |
| @end table
 | |
| 
 | |
| @item compression_level (@emph{comp})
 | |
| Set encoding algorithm complexity. Valid options are integers in
 | |
| the 0-10 range. 0 gives the fastest encodes but lower quality, while 10
 | |
| gives the highest quality but slowest encoding. The default is 10.
 | |
| 
 | |
| @item frame_duration (@emph{framesize})
 | |
| Set maximum frame size, or duration of a frame in milliseconds. The
 | |
| argument must be exactly the following: 2.5, 5, 10, 20, 40, 60. Smaller
 | |
| frame sizes achieve lower latency but less quality at a given bitrate.
 | |
| Sizes greater than 20ms are only interesting at fairly low bitrates.
 | |
| The default is 20ms.
 | |
| 
 | |
| @item packet_loss (@emph{expect-loss})
 | |
| Set expected packet loss percentage. The default is 0.
 | |
| 
 | |
| @item application (N.A.)
 | |
| Set intended application type. Valid options are listed below:
 | |
| 
 | |
| @table @samp
 | |
| @item voip
 | |
| Favor improved speech intelligibility.
 | |
| @item audio
 | |
| Favor faithfulness to the input (the default).
 | |
| @item lowdelay
 | |
| Restrict to only the lowest delay modes.
 | |
| @end table
 | |
| 
 | |
| @item cutoff (N.A.)
 | |
| Set cutoff bandwidth in Hz. The argument must be exactly one of the
 | |
| following: 4000, 6000, 8000, 12000, or 20000, corresponding to
 | |
| narrowband, mediumband, wideband, super wideband, and fullband
 | |
| respectively. The default is 0 (cutoff disabled).
 | |
| 
 | |
| @item mapping_family (@emph{mapping_family})
 | |
| Set channel mapping family to be used by the encoder. The default value of -1
 | |
| uses mapping family 0 for mono and stereo inputs, and mapping family 1
 | |
| otherwise. The default also disables the surround masking and LFE bandwidth
 | |
| optimzations in libopus, and requires that the input contains 8 channels or
 | |
| fewer.
 | |
| 
 | |
| Other values include 0 for mono and stereo, 1 for surround sound with masking
 | |
| and LFE bandwidth optimizations, and 255 for independent streams with an
 | |
| unspecified channel layout.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @section libvorbis
 | |
| 
 | |
| libvorbis encoder wrapper.
 | |
| 
 | |
| Requires the presence of the libvorbisenc headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libvorbis}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following options are supported by the libvorbis wrapper. The
 | |
| @command{oggenc}-equivalent of the options are listed in parentheses.
 | |
| 
 | |
| To get a more accurate and extensive documentation of the libvorbis
 | |
| options, consult the libvorbisenc's and @command{oggenc}'s documentations.
 | |
| See @url{http://xiph.org/vorbis/},
 | |
| @url{http://wiki.xiph.org/Vorbis-tools}, and oggenc(1).
 | |
| 
 | |
| @table @option
 | |
| @item b (@emph{-b})
 | |
| Set bitrate expressed in bits/s for ABR. @command{oggenc} @option{-b} is
 | |
| expressed in kilobits/s.
 | |
| 
 | |
| @item q (@emph{-q})
 | |
| Set constant quality setting for VBR. The value should be a float
 | |
| number in the range of -1.0 to 10.0. The higher the value, the better
 | |
| the quality. The default value is @samp{3.0}.
 | |
| 
 | |
| This option is valid only using the @command{ffmpeg} command-line tool.
 | |
| For library interface users, use @option{global_quality}.
 | |
| 
 | |
| @item cutoff (@emph{--advanced-encode-option lowpass_frequency=N})
 | |
| Set cutoff bandwidth in Hz, a value of 0 disables cutoff. @command{oggenc}'s
 | |
| related option is expressed in kHz. The default value is @samp{0} (cutoff
 | |
| disabled).
 | |
| 
 | |
| @item minrate (@emph{-m})
 | |
| Set minimum bitrate expressed in bits/s. @command{oggenc} @option{-m} is
 | |
| expressed in kilobits/s.
 | |
| 
 | |
| @item maxrate (@emph{-M})
 | |
| Set maximum bitrate expressed in bits/s. @command{oggenc} @option{-M} is
 | |
| expressed in kilobits/s. This only has effect on ABR mode.
 | |
| 
 | |
| @item iblock (@emph{--advanced-encode-option impulse_noisetune=N})
 | |
| Set noise floor bias for impulse blocks. The value is a float number from
 | |
| -15.0 to 0.0. A negative bias instructs the encoder to pay special attention
 | |
| to the crispness of transients in the encoded audio. The tradeoff for better
 | |
| transient response is a higher bitrate.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @anchor{libwavpack}
 | |
| @section libwavpack
 | |
| 
 | |
| A wrapper providing WavPack encoding through libwavpack.
 | |
| 
 | |
| Only lossless mode using 32-bit integer samples is supported currently.
 | |
| 
 | |
| Requires the presence of the libwavpack headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libwavpack}.
 | |
| 
 | |
| Note that a libavcodec-native encoder for the WavPack codec exists so users can
 | |
| encode audios with this codec without using this encoder. See @ref{wavpackenc}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @command{wavpack} command line utility's corresponding options are listed in
 | |
| parentheses, if any.
 | |
| 
 | |
| @table @option
 | |
| @item frame_size (@emph{--blocksize})
 | |
| Default is 32768.
 | |
| 
 | |
| @item compression_level
 | |
| Set speed vs. compression tradeoff. Acceptable arguments are listed below:
 | |
| 
 | |
| @table @samp
 | |
| @item 0 (@emph{-f})
 | |
| Fast mode.
 | |
| 
 | |
| @item 1
 | |
| Normal (default) settings.
 | |
| 
 | |
| @item 2 (@emph{-h})
 | |
| High quality.
 | |
| 
 | |
| @item 3 (@emph{-hh})
 | |
| Very high quality.
 | |
| 
 | |
| @item 4-8 (@emph{-hh -x}@var{EXTRAPROC})
 | |
| Same as @samp{3}, but with extra processing enabled.
 | |
| 
 | |
| @samp{4} is the same as @option{-x2} and @samp{8} is the same as @option{-x6}.
 | |
| 
 | |
| @end table
 | |
| @end table
 | |
| 
 | |
| @anchor{wavpackenc}
 | |
| @section wavpack
 | |
| 
 | |
| WavPack lossless audio encoder.
 | |
| 
 | |
| This is a libavcodec-native WavPack encoder. There is also an encoder based on
 | |
| libwavpack, but there is virtually no reason to use that encoder.
 | |
| 
 | |
| See also @ref{libwavpack}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The equivalent options for @command{wavpack} command line utility are listed in
 | |
| parentheses.
 | |
| 
 | |
| @subsubsection Shared options
 | |
| 
 | |
| The following shared options are effective for this encoder. Only special notes
 | |
| about this particular encoder will be documented here. For the general meaning
 | |
| of the options, see @ref{codec-options,,the Codec Options chapter}.
 | |
| 
 | |
| @table @option
 | |
| @item frame_size (@emph{--blocksize})
 | |
| For this encoder, the range for this option is between 128 and 131072. Default
 | |
| is automatically decided based on sample rate and number of channel.
 | |
| 
 | |
| For the complete formula of calculating default, see
 | |
| @file{libavcodec/wavpackenc.c}.
 | |
| 
 | |
| @item compression_level (@emph{-f}, @emph{-h}, @emph{-hh}, and @emph{-x})
 | |
| This option's syntax is consistent with @ref{libwavpack}'s.
 | |
| @end table
 | |
| 
 | |
| @subsubsection Private options
 | |
| 
 | |
| @table @option
 | |
| @item joint_stereo (@emph{-j})
 | |
| Set whether to enable joint stereo. Valid values are:
 | |
| 
 | |
| @table @samp
 | |
| @item on (@emph{1})
 | |
| Force mid/side audio encoding.
 | |
| @item off (@emph{0})
 | |
| Force left/right audio encoding.
 | |
| @item auto
 | |
| Let the encoder decide automatically.
 | |
| @end table
 | |
| 
 | |
| @item optimize_mono
 | |
| Set whether to enable optimization for mono. This option is only effective for
 | |
| non-mono streams. Available values:
 | |
| 
 | |
| @table @samp
 | |
| @item on
 | |
| enabled
 | |
| @item off
 | |
| disabled
 | |
| @end table
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @c man end AUDIO ENCODERS
 | |
| 
 | |
| @chapter Video Encoders
 | |
| @c man begin VIDEO ENCODERS
 | |
| 
 | |
| A description of some of the currently available video encoders
 | |
| follows.
 | |
| 
 | |
| @section libopenh264
 | |
| 
 | |
| Cisco libopenh264 H.264/MPEG-4 AVC encoder wrapper.
 | |
| 
 | |
| This encoder requires the presence of the libopenh264 headers and
 | |
| library during configuration. You need to explicitly configure the
 | |
| build with @code{--enable-libopenh264}. The library is detected using
 | |
| @command{pkg-config}.
 | |
| 
 | |
| For more information about the library see
 | |
| @url{http://www.openh264.org}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following FFmpeg global options affect the configurations of the
 | |
| libopenh264 encoder.
 | |
| 
 | |
| @table @option
 | |
| @item b
 | |
| Set the bitrate (as a number of bits per second).
 | |
| 
 | |
| @item g
 | |
| Set the GOP size.
 | |
| 
 | |
| @item maxrate
 | |
| Set the max bitrate (as a number of bits per second).
 | |
| 
 | |
| @item flags +global_header
 | |
| Set global header in the bitstream.
 | |
| 
 | |
| @item slices
 | |
| Set the number of slices, used in parallelized encoding. Default value
 | |
| is 0. This is only used when @option{slice_mode} is set to
 | |
| @samp{fixed}.
 | |
| 
 | |
| @item slice_mode
 | |
| Set slice mode. Can assume one of the following possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item fixed
 | |
| a fixed number of slices
 | |
| @item rowmb
 | |
| one slice per row of macroblocks
 | |
| @item auto
 | |
| automatic number of slices according to number of threads
 | |
| @item dyn
 | |
| dynamic slicing
 | |
| @end table
 | |
| 
 | |
| Default value is @samp{auto}.
 | |
| 
 | |
| @item loopfilter
 | |
| Enable loop filter, if set to 1 (automatically enabled). To disable
 | |
| set a value of 0.
 | |
| 
 | |
| @item profile
 | |
| Set profile restrictions. If set to the value of @samp{main} enable
 | |
| CABAC (set the @code{SEncParamExt.iEntropyCodingModeFlag} flag to 1).
 | |
| 
 | |
| @item max_nal_size
 | |
| Set maximum NAL size in bytes.
 | |
| 
 | |
| @item allow_skip_frames
 | |
| Allow skipping frames to hit the target bitrate if set to 1.
 | |
| @end table
 | |
| 
 | |
| @section jpeg2000
 | |
| 
 | |
| The native jpeg 2000 encoder is lossy by default, the @code{-q:v}
 | |
| option can be used to set the encoding quality. Lossless encoding
 | |
| can be selected with @code{-pred 1}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @table @option
 | |
| @item format
 | |
| Can be set to either @code{j2k} or @code{jp2} (the default) that
 | |
| makes it possible to store non-rgb pix_fmts.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @section snow
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @table @option
 | |
| @item iterative_dia_size
 | |
| dia size for the iterative motion estimation
 | |
| @end table
 | |
| 
 | |
| @section libtheora
 | |
| 
 | |
| libtheora Theora encoder wrapper.
 | |
| 
 | |
| Requires the presence of the libtheora headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libtheora}.
 | |
| 
 | |
| For more information about the libtheora project see
 | |
| @url{http://www.theora.org/}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following global options are mapped to internal libtheora options
 | |
| which affect the quality and the bitrate of the encoded stream.
 | |
| 
 | |
| @table @option
 | |
| @item b
 | |
| Set the video bitrate in bit/s for CBR (Constant Bit Rate) mode.  In
 | |
| case VBR (Variable Bit Rate) mode is enabled this option is ignored.
 | |
| 
 | |
| @item flags
 | |
| Used to enable constant quality mode (VBR) encoding through the
 | |
| @option{qscale} flag, and to enable the @code{pass1} and @code{pass2}
 | |
| modes.
 | |
| 
 | |
| @item g
 | |
| Set the GOP size.
 | |
| 
 | |
| @item global_quality
 | |
| Set the global quality as an integer in lambda units.
 | |
| 
 | |
| Only relevant when VBR mode is enabled with @code{flags +qscale}. The
 | |
| value is converted to QP units by dividing it by @code{FF_QP2LAMBDA},
 | |
| clipped in the [0 - 10] range, and then multiplied by 6.3 to get a
 | |
| value in the native libtheora range [0-63]. A higher value corresponds
 | |
| to a higher quality.
 | |
| 
 | |
| @item q
 | |
| Enable VBR mode when set to a non-negative value, and set constant
 | |
| quality value as a double floating point value in QP units.
 | |
| 
 | |
| The value is clipped in the [0-10] range, and then multiplied by 6.3
 | |
| to get a value in the native libtheora range [0-63].
 | |
| 
 | |
| This option is valid only using the @command{ffmpeg} command-line
 | |
| tool. For library interface users, use @option{global_quality}.
 | |
| @end table
 | |
| 
 | |
| @subsection Examples
 | |
| 
 | |
| @itemize
 | |
| @item
 | |
| Set maximum constant quality (VBR) encoding with @command{ffmpeg}:
 | |
| @example
 | |
| ffmpeg -i INPUT -codec:v libtheora -q:v 10 OUTPUT.ogg
 | |
| @end example
 | |
| 
 | |
| @item
 | |
| Use @command{ffmpeg} to convert a CBR 1000 kbps Theora video stream:
 | |
| @example
 | |
| ffmpeg -i INPUT -codec:v libtheora -b:v 1000k OUTPUT.ogg
 | |
| @end example
 | |
| @end itemize
 | |
| 
 | |
| @section libvpx
 | |
| 
 | |
| VP8/VP9 format supported through libvpx.
 | |
| 
 | |
| Requires the presence of the libvpx headers and library during configuration.
 | |
| You need to explicitly configure the build with @code{--enable-libvpx}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following options are supported by the libvpx wrapper. The
 | |
| @command{vpxenc}-equivalent options or values are listed in parentheses
 | |
| for easy migration.
 | |
| 
 | |
| To reduce the duplication of documentation, only the private options
 | |
| and some others requiring special attention are documented here. For
 | |
| the documentation of the undocumented generic options, see
 | |
| @ref{codec-options,,the Codec Options chapter}.
 | |
| 
 | |
| To get more documentation of the libvpx options, invoke the command
 | |
| @command{ffmpeg -h encoder=libvpx}, @command{ffmpeg -h encoder=libvpx-vp9} or
 | |
| @command{vpxenc --help}. Further information is available in the libvpx API
 | |
| documentation.
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item b (@emph{target-bitrate})
 | |
| Set bitrate in bits/s. Note that FFmpeg's @option{b} option is
 | |
| expressed in bits/s, while @command{vpxenc}'s @option{target-bitrate} is in
 | |
| kilobits/s.
 | |
| 
 | |
| @item g (@emph{kf-max-dist})
 | |
| 
 | |
| @item keyint_min (@emph{kf-min-dist})
 | |
| 
 | |
| @item qmin (@emph{min-q})
 | |
| 
 | |
| @item qmax (@emph{max-q})
 | |
| 
 | |
| @item bufsize (@emph{buf-sz}, @emph{buf-optimal-sz})
 | |
| Set ratecontrol buffer size (in bits). Note @command{vpxenc}'s options are
 | |
| specified in milliseconds, the libvpx wrapper converts this value as follows:
 | |
| @code{buf-sz = bufsize * 1000 / bitrate},
 | |
| @code{buf-optimal-sz = bufsize * 1000 / bitrate * 5 / 6}.
 | |
| 
 | |
| @item rc_init_occupancy (@emph{buf-initial-sz})
 | |
| Set number of bits which should be loaded into the rc buffer before decoding
 | |
| starts. Note @command{vpxenc}'s option is specified in milliseconds, the libvpx
 | |
| wrapper converts this value as follows:
 | |
| @code{rc_init_occupancy * 1000 / bitrate}.
 | |
| 
 | |
| @item undershoot-pct
 | |
| Set datarate undershoot (min) percentage of the target bitrate.
 | |
| 
 | |
| @item overshoot-pct
 | |
| Set datarate overshoot (max) percentage of the target bitrate.
 | |
| 
 | |
| @item skip_threshold (@emph{drop-frame})
 | |
| 
 | |
| @item qcomp (@emph{bias-pct})
 | |
| 
 | |
| @item maxrate (@emph{maxsection-pct})
 | |
| Set GOP max bitrate in bits/s. Note @command{vpxenc}'s option is specified as a
 | |
| percentage of the target bitrate, the libvpx wrapper converts this value as
 | |
| follows: @code{(maxrate * 100 / bitrate)}.
 | |
| 
 | |
| @item minrate (@emph{minsection-pct})
 | |
| Set GOP min bitrate in bits/s. Note @command{vpxenc}'s option is specified as a
 | |
| percentage of the target bitrate, the libvpx wrapper converts this value as
 | |
| follows: @code{(minrate * 100 / bitrate)}.
 | |
| 
 | |
| @item minrate, maxrate, b @emph{end-usage=cbr}
 | |
| @code{(minrate == maxrate == bitrate)}.
 | |
| 
 | |
| @item crf (@emph{end-usage=cq}, @emph{cq-level})
 | |
| 
 | |
| @item tune (@emph{tune})
 | |
| @table @samp
 | |
| @item psnr (@emph{psnr})
 | |
| @item ssim (@emph{ssim})
 | |
| @end table
 | |
| 
 | |
| @item quality, deadline (@emph{deadline})
 | |
| @table @samp
 | |
| @item best
 | |
| Use best quality deadline. Poorly named and quite slow, this option should be
 | |
| avoided as it may give worse quality output than good.
 | |
| @item good
 | |
| Use good quality deadline. This is a good trade-off between speed and quality
 | |
| when used with the @option{cpu-used} option.
 | |
| @item realtime
 | |
| Use realtime quality deadline.
 | |
| @end table
 | |
| 
 | |
| @item speed, cpu-used (@emph{cpu-used})
 | |
| Set quality/speed ratio modifier. Higher values speed up the encode at the cost
 | |
| of quality.
 | |
| 
 | |
| @item nr (@emph{noise-sensitivity})
 | |
| 
 | |
| @item static-thresh
 | |
| Set a change threshold on blocks below which they will be skipped by the
 | |
| encoder.
 | |
| 
 | |
| @item slices (@emph{token-parts})
 | |
| Note that FFmpeg's @option{slices} option gives the total number of partitions,
 | |
| while @command{vpxenc}'s @option{token-parts} is given as
 | |
| @code{log2(partitions)}.
 | |
| 
 | |
| @item max-intra-rate
 | |
| Set maximum I-frame bitrate as a percentage of the target bitrate. A value of 0
 | |
| means unlimited.
 | |
| 
 | |
| @item force_key_frames
 | |
| @code{VPX_EFLAG_FORCE_KF}
 | |
| 
 | |
| @item Alternate reference frame related
 | |
| @table @option
 | |
| @item auto-alt-ref
 | |
| Enable use of alternate reference frames (2-pass only).
 | |
| @item arnr-max-frames
 | |
| Set altref noise reduction max frame count.
 | |
| @item arnr-type
 | |
| Set altref noise reduction filter type: backward, forward, centered.
 | |
| @item arnr-strength
 | |
| Set altref noise reduction filter strength.
 | |
| @item rc-lookahead, lag-in-frames (@emph{lag-in-frames})
 | |
| Set number of frames to look ahead for frametype and ratecontrol.
 | |
| @end table
 | |
| 
 | |
| @item error-resilient
 | |
| Enable error resiliency features.
 | |
| 
 | |
| @item VP9-specific options
 | |
| @table @option
 | |
| @item lossless
 | |
| Enable lossless mode.
 | |
| @item tile-columns
 | |
| Set number of tile columns to use. Note this is given as
 | |
| @code{log2(tile_columns)}. For example, 8 tile columns would be requested by
 | |
| setting the @option{tile-columns} option to 3.
 | |
| @item tile-rows
 | |
| Set number of tile rows to use. Note this is given as @code{log2(tile_rows)}.
 | |
| For example, 4 tile rows would be requested by setting the @option{tile-rows}
 | |
| option to 2.
 | |
| @item frame-parallel
 | |
| Enable frame parallel decodability features.
 | |
| @item aq-mode
 | |
| Set adaptive quantization mode (0: off (default), 1: variance 2: complexity, 3:
 | |
| cyclic refresh).
 | |
| @item colorspace @emph{color-space}
 | |
| Set input color space. The VP9 bitstream supports signaling the following
 | |
| colorspaces:
 | |
| @table @option
 | |
| @item @samp{rgb} @emph{sRGB}
 | |
| @item @samp{bt709} @emph{bt709}
 | |
| @item @samp{unspecified} @emph{unknown}
 | |
| @item @samp{bt470bg} @emph{bt601}
 | |
| @item @samp{smpte170m} @emph{smpte170}
 | |
| @item @samp{smpte240m} @emph{smpte240}
 | |
| @item @samp{bt2020_ncl} @emph{bt2020}
 | |
| @end table
 | |
| @end table
 | |
| 
 | |
| @end table
 | |
| 
 | |
| For more information about libvpx see:
 | |
| @url{http://www.webmproject.org/}
 | |
| 
 | |
| 
 | |
| @section libwebp
 | |
| 
 | |
| libwebp WebP Image encoder wrapper
 | |
| 
 | |
| libwebp is Google's official encoder for WebP images. It can encode in either
 | |
| lossy or lossless mode. Lossy images are essentially a wrapper around a VP8
 | |
| frame. Lossless images are a separate codec developed by Google.
 | |
| 
 | |
| @subsection Pixel Format
 | |
| 
 | |
| Currently, libwebp only supports YUV420 for lossy and RGB for lossless due
 | |
| to limitations of the format and libwebp. Alpha is supported for either mode.
 | |
| Because of API limitations, if RGB is passed in when encoding lossy or YUV is
 | |
| passed in for encoding lossless, the pixel format will automatically be
 | |
| converted using functions from libwebp. This is not ideal and is done only for
 | |
| convenience.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item -lossless @var{boolean}
 | |
| Enables/Disables use of lossless mode. Default is 0.
 | |
| 
 | |
| @item -compression_level @var{integer}
 | |
| For lossy, this is a quality/speed tradeoff. Higher values give better quality
 | |
| for a given size at the cost of increased encoding time. For lossless, this is
 | |
| a size/speed tradeoff. Higher values give smaller size at the cost of increased
 | |
| encoding time. More specifically, it controls the number of extra algorithms
 | |
| and compression tools used, and varies the combination of these tools. This
 | |
| maps to the @var{method} option in libwebp. The valid range is 0 to 6.
 | |
| Default is 4.
 | |
| 
 | |
| @item -qscale @var{float}
 | |
| For lossy encoding, this controls image quality, 0 to 100. For lossless
 | |
| encoding, this controls the effort and time spent at compressing more. The
 | |
| default value is 75. Note that for usage via libavcodec, this option is called
 | |
| @var{global_quality} and must be multiplied by @var{FF_QP2LAMBDA}.
 | |
| 
 | |
| @item -preset @var{type}
 | |
| Configuration preset. This does some automatic settings based on the general
 | |
| type of the image.
 | |
| @table @option
 | |
| @item none
 | |
| Do not use a preset.
 | |
| @item default
 | |
| Use the encoder default.
 | |
| @item picture
 | |
| Digital picture, like portrait, inner shot
 | |
| @item photo
 | |
| Outdoor photograph, with natural lighting
 | |
| @item drawing
 | |
| Hand or line drawing, with high-contrast details
 | |
| @item icon
 | |
| Small-sized colorful images
 | |
| @item text
 | |
| Text-like
 | |
| @end table
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @section libx264, libx264rgb
 | |
| 
 | |
| x264 H.264/MPEG-4 AVC encoder wrapper.
 | |
| 
 | |
| This encoder requires the presence of the libx264 headers and library
 | |
| during configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libx264}.
 | |
| 
 | |
| libx264 supports an impressive number of features, including 8x8 and
 | |
| 4x4 adaptive spatial transform, adaptive B-frame placement, CAVLC/CABAC
 | |
| entropy coding, interlacing (MBAFF), lossless mode, psy optimizations
 | |
| for detail retention (adaptive quantization, psy-RD, psy-trellis).
 | |
| 
 | |
| Many libx264 encoder options are mapped to FFmpeg global codec
 | |
| options, while unique encoder options are provided through private
 | |
| options. Additionally the @option{x264opts} and @option{x264-params}
 | |
| private options allows one to pass a list of key=value tuples as accepted
 | |
| by the libx264 @code{x264_param_parse} function.
 | |
| 
 | |
| The x264 project website is at
 | |
| @url{http://www.videolan.org/developers/x264.html}.
 | |
| 
 | |
| The libx264rgb encoder is the same as libx264, except it accepts packed RGB
 | |
| pixel formats as input instead of YUV.
 | |
| 
 | |
| @subsection Supported Pixel Formats
 | |
| 
 | |
| x264 supports 8- to 10-bit color spaces. The exact bit depth is controlled at
 | |
| x264's configure time. FFmpeg only supports one bit depth in one particular
 | |
| build. In other words, it is not possible to build one FFmpeg with multiple
 | |
| versions of x264 with different bit depths.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following options are supported by the libx264 wrapper. The
 | |
| @command{x264}-equivalent options or values are listed in parentheses
 | |
| for easy migration.
 | |
| 
 | |
| To reduce the duplication of documentation, only the private options
 | |
| and some others requiring special attention are documented here. For
 | |
| the documentation of the undocumented generic options, see
 | |
| @ref{codec-options,,the Codec Options chapter}.
 | |
| 
 | |
| To get a more accurate and extensive documentation of the libx264
 | |
| options, invoke the command @command{x264 --full-help} or consult
 | |
| the libx264 documentation.
 | |
| 
 | |
| @table @option
 | |
| @item b (@emph{bitrate})
 | |
| Set bitrate in bits/s. Note that FFmpeg's @option{b} option is
 | |
| expressed in bits/s, while @command{x264}'s @option{bitrate} is in
 | |
| kilobits/s.
 | |
| 
 | |
| @item bf (@emph{bframes})
 | |
| 
 | |
| @item g (@emph{keyint})
 | |
| 
 | |
| @item qmin (@emph{qpmin})
 | |
| Minimum quantizer scale.
 | |
| 
 | |
| @item qmax (@emph{qpmax})
 | |
| Maximum quantizer scale.
 | |
| 
 | |
| @item qdiff (@emph{qpstep})
 | |
| Maximum difference between quantizer scales.
 | |
| 
 | |
| @item qblur (@emph{qblur})
 | |
| Quantizer curve blur
 | |
| 
 | |
| @item qcomp (@emph{qcomp})
 | |
| Quantizer curve compression factor
 | |
| 
 | |
| @item refs (@emph{ref})
 | |
| Number of reference frames each P-frame can use. The range is from @var{0-16}.
 | |
| 
 | |
| @item sc_threshold (@emph{scenecut})
 | |
| Sets the threshold for the scene change detection.
 | |
| 
 | |
| @item trellis (@emph{trellis})
 | |
| Performs Trellis quantization to increase efficiency. Enabled by default.
 | |
| 
 | |
| @item nr  (@emph{nr})
 | |
| 
 | |
| @item me_range (@emph{merange})
 | |
| Maximum range of the motion search in pixels.
 | |
| 
 | |
| @item me_method (@emph{me})
 | |
| Set motion estimation method. Possible values in the decreasing order
 | |
| of speed:
 | |
| 
 | |
| @table @samp
 | |
| @item dia (@emph{dia})
 | |
| @item epzs (@emph{dia})
 | |
| Diamond search with radius 1 (fastest). @samp{epzs} is an alias for
 | |
| @samp{dia}.
 | |
| @item hex (@emph{hex})
 | |
| Hexagonal search with radius 2.
 | |
| @item umh (@emph{umh})
 | |
| Uneven multi-hexagon search.
 | |
| @item esa (@emph{esa})
 | |
| Exhaustive search.
 | |
| @item tesa (@emph{tesa})
 | |
| Hadamard exhaustive search (slowest).
 | |
| @end table
 | |
| 
 | |
| @item subq (@emph{subme})
 | |
| Sub-pixel motion estimation method.
 | |
| 
 | |
| @item b_strategy (@emph{b-adapt})
 | |
| Adaptive B-frame placement decision algorithm. Use only on first-pass.
 | |
| 
 | |
| @item keyint_min (@emph{min-keyint})
 | |
| Minimum GOP size.
 | |
| 
 | |
| @item coder
 | |
| Set entropy encoder. Possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item ac
 | |
| Enable CABAC.
 | |
| 
 | |
| @item vlc
 | |
| Enable CAVLC and disable CABAC. It generates the same effect as
 | |
| @command{x264}'s @option{--no-cabac} option.
 | |
| @end table
 | |
| 
 | |
| @item cmp
 | |
| Set full pixel motion estimation comparation algorithm. Possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item chroma
 | |
| Enable chroma in motion estimation.
 | |
| 
 | |
| @item sad
 | |
| Ignore chroma in motion estimation. It generates the same effect as
 | |
| @command{x264}'s @option{--no-chroma-me} option.
 | |
| @end table
 | |
| 
 | |
| @item threads (@emph{threads})
 | |
| Number of encoding threads.
 | |
| 
 | |
| @item thread_type
 | |
| Set multithreading technique. Possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item slice
 | |
| Slice-based multithreading. It generates the same effect as
 | |
| @command{x264}'s @option{--sliced-threads} option.
 | |
| @item frame
 | |
| Frame-based multithreading.
 | |
| @end table
 | |
| 
 | |
| @item flags
 | |
| Set encoding flags. It can be used to disable closed GOP and enable
 | |
| open GOP by setting it to @code{-cgop}. The result is similar to
 | |
| the behavior of @command{x264}'s @option{--open-gop} option.
 | |
| 
 | |
| @item rc_init_occupancy (@emph{vbv-init})
 | |
| 
 | |
| @item preset (@emph{preset})
 | |
| Set the encoding preset.
 | |
| 
 | |
| @item tune (@emph{tune})
 | |
| Set tuning of the encoding params.
 | |
| 
 | |
| @item profile (@emph{profile})
 | |
| Set profile restrictions.
 | |
| 
 | |
| @item fastfirstpass
 | |
| Enable fast settings when encoding first pass, when set to 1. When set
 | |
| to 0, it has the same effect of @command{x264}'s
 | |
| @option{--slow-firstpass} option.
 | |
| 
 | |
| @item crf (@emph{crf})
 | |
| Set the quality for constant quality mode.
 | |
| 
 | |
| @item crf_max (@emph{crf-max})
 | |
| In CRF mode, prevents VBV from lowering quality beyond this point.
 | |
| 
 | |
| @item qp (@emph{qp})
 | |
| Set constant quantization rate control method parameter.
 | |
| 
 | |
| @item aq-mode (@emph{aq-mode})
 | |
| Set AQ method. Possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item none (@emph{0})
 | |
| Disabled.
 | |
| 
 | |
| @item variance (@emph{1})
 | |
| Variance AQ (complexity mask).
 | |
| 
 | |
| @item autovariance (@emph{2})
 | |
| Auto-variance AQ (experimental).
 | |
| @end table
 | |
| 
 | |
| @item aq-strength (@emph{aq-strength})
 | |
| Set AQ strength, reduce blocking and blurring in flat and textured areas.
 | |
| 
 | |
| @item psy
 | |
| Use psychovisual optimizations when set to 1. When set to 0, it has the
 | |
| same effect as @command{x264}'s @option{--no-psy} option.
 | |
| 
 | |
| @item psy-rd  (@emph{psy-rd})
 | |
| Set strength of psychovisual optimization, in
 | |
| @var{psy-rd}:@var{psy-trellis} format.
 | |
| 
 | |
| @item rc-lookahead (@emph{rc-lookahead})
 | |
| Set number of frames to look ahead for frametype and ratecontrol.
 | |
| 
 | |
| @item weightb
 | |
| Enable weighted prediction for B-frames when set to 1. When set to 0,
 | |
| it has the same effect as @command{x264}'s @option{--no-weightb} option.
 | |
| 
 | |
| @item weightp (@emph{weightp})
 | |
| Set weighted prediction method for P-frames. Possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item none (@emph{0})
 | |
| Disabled
 | |
| @item simple (@emph{1})
 | |
| Enable only weighted refs
 | |
| @item smart (@emph{2})
 | |
| Enable both weighted refs and duplicates
 | |
| @end table
 | |
| 
 | |
| @item ssim (@emph{ssim})
 | |
| Enable calculation and printing SSIM stats after the encoding.
 | |
| 
 | |
| @item intra-refresh (@emph{intra-refresh})
 | |
| Enable the use of Periodic Intra Refresh instead of IDR frames when set
 | |
| to 1.
 | |
| 
 | |
| @item avcintra-class (@emph{class})
 | |
| Configure the encoder to generate AVC-Intra.
 | |
| Valid values are 50,100 and 200
 | |
| 
 | |
| @item bluray-compat (@emph{bluray-compat})
 | |
| Configure the encoder to be compatible with the bluray standard.
 | |
| It is a shorthand for setting "bluray-compat=1 force-cfr=1".
 | |
| 
 | |
| @item b-bias (@emph{b-bias})
 | |
| Set the influence on how often B-frames are used.
 | |
| 
 | |
| @item b-pyramid (@emph{b-pyramid})
 | |
| Set method for keeping of some B-frames as references. Possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item none (@emph{none})
 | |
| Disabled.
 | |
| @item strict (@emph{strict})
 | |
| Strictly hierarchical pyramid.
 | |
| @item normal (@emph{normal})
 | |
| Non-strict (not Blu-ray compatible).
 | |
| @end table
 | |
| 
 | |
| @item mixed-refs
 | |
| Enable the use of one reference per partition, as opposed to one
 | |
| reference per macroblock when set to 1. When set to 0, it has the
 | |
| same effect as @command{x264}'s @option{--no-mixed-refs} option.
 | |
| 
 | |
| @item 8x8dct
 | |
| Enable adaptive spatial transform (high profile 8x8 transform)
 | |
| when set to 1. When set to 0, it has the same effect as
 | |
| @command{x264}'s @option{--no-8x8dct} option.
 | |
| 
 | |
| @item fast-pskip
 | |
| Enable early SKIP detection on P-frames when set to 1. When set
 | |
| to 0, it has the same effect as @command{x264}'s
 | |
| @option{--no-fast-pskip} option.
 | |
| 
 | |
| @item aud (@emph{aud})
 | |
| Enable use of access unit delimiters when set to 1.
 | |
| 
 | |
| @item mbtree
 | |
| Enable use macroblock tree ratecontrol when set to 1. When set
 | |
| to 0, it has the same effect as @command{x264}'s
 | |
| @option{--no-mbtree} option.
 | |
| 
 | |
| @item deblock (@emph{deblock})
 | |
| Set loop filter parameters, in @var{alpha}:@var{beta} form.
 | |
| 
 | |
| @item cplxblur (@emph{cplxblur})
 | |
| Set fluctuations reduction in QP (before curve compression).
 | |
| 
 | |
| @item partitions (@emph{partitions})
 | |
| Set partitions to consider as a comma-separated list of. Possible
 | |
| values in the list:
 | |
| 
 | |
| @table @samp
 | |
| @item p8x8
 | |
| 8x8 P-frame partition.
 | |
| @item p4x4
 | |
| 4x4 P-frame partition.
 | |
| @item b8x8
 | |
| 4x4 B-frame partition.
 | |
| @item i8x8
 | |
| 8x8 I-frame partition.
 | |
| @item i4x4
 | |
| 4x4 I-frame partition.
 | |
| (Enabling @samp{p4x4} requires @samp{p8x8} to be enabled. Enabling
 | |
| @samp{i8x8} requires adaptive spatial transform (@option{8x8dct}
 | |
| option) to be enabled.)
 | |
| @item none (@emph{none})
 | |
| Do not consider any partitions.
 | |
| @item all (@emph{all})
 | |
| Consider every partition.
 | |
| @end table
 | |
| 
 | |
| @item direct-pred (@emph{direct})
 | |
| Set direct MV prediction mode. Possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item none (@emph{none})
 | |
| Disable MV prediction.
 | |
| @item spatial (@emph{spatial})
 | |
| Enable spatial predicting.
 | |
| @item temporal (@emph{temporal})
 | |
| Enable temporal predicting.
 | |
| @item auto (@emph{auto})
 | |
| Automatically decided.
 | |
| @end table
 | |
| 
 | |
| @item slice-max-size (@emph{slice-max-size})
 | |
| Set the limit of the size of each slice in bytes. If not specified
 | |
| but RTP payload size (@option{ps}) is specified, that is used.
 | |
| 
 | |
| @item stats (@emph{stats})
 | |
| Set the file name for multi-pass stats.
 | |
| 
 | |
| @item nal-hrd (@emph{nal-hrd})
 | |
| Set signal HRD information (requires @option{vbv-bufsize} to be set).
 | |
| Possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item none (@emph{none})
 | |
| Disable HRD information signaling.
 | |
| @item vbr (@emph{vbr})
 | |
| Variable bit rate.
 | |
| @item cbr (@emph{cbr})
 | |
| Constant bit rate (not allowed in MP4 container).
 | |
| @end table
 | |
| 
 | |
| @item x264opts (N.A.)
 | |
| Set any x264 option, see @command{x264 --fullhelp} for a list.
 | |
| 
 | |
| Argument is a list of @var{key}=@var{value} couples separated by
 | |
| ":". In @var{filter} and @var{psy-rd} options that use ":" as a separator
 | |
| themselves, use "," instead. They accept it as well since long ago but this
 | |
| is kept undocumented for some reason.
 | |
| 
 | |
| For example to specify libx264 encoding options with @command{ffmpeg}:
 | |
| @example
 | |
| ffmpeg -i foo.mpg -vcodec libx264 -x264opts keyint=123:min-keyint=20 -an out.mkv
 | |
| @end example
 | |
| 
 | |
| @item a53cc @var{boolean}
 | |
| Import closed captions (which must be ATSC compatible format) into output.
 | |
| Only the mpeg2 and h264 decoders provide these. Default is 0 (off).
 | |
| 
 | |
| @item x264-params (N.A.)
 | |
| Override the x264 configuration using a :-separated list of key=value
 | |
| parameters.
 | |
| 
 | |
| This option is functionally the same as the @option{x264opts}, but is
 | |
| duplicated for compatibility with the Libav fork.
 | |
| 
 | |
| For example to specify libx264 encoding options with @command{ffmpeg}:
 | |
| @example
 | |
| ffmpeg -i INPUT -c:v libx264 -x264-params level=30:bframes=0:weightp=0:\
 | |
| cabac=0:ref=1:vbv-maxrate=768:vbv-bufsize=2000:analyse=all:me=umh:\
 | |
| no-fast-pskip=1:subq=6:8x8dct=0:trellis=0 OUTPUT
 | |
| @end example
 | |
| @end table
 | |
| 
 | |
| Encoding ffpresets for common usages are provided so they can be used with the
 | |
| general presets system (e.g. passing the @option{pre} option).
 | |
| 
 | |
| @section libx265
 | |
| 
 | |
| x265 H.265/HEVC encoder wrapper.
 | |
| 
 | |
| This encoder requires the presence of the libx265 headers and library
 | |
| during configuration. You need to explicitly configure the build with
 | |
| @option{--enable-libx265}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @table @option
 | |
| @item preset
 | |
| Set the x265 preset.
 | |
| 
 | |
| @item tune
 | |
| Set the x265 tune parameter.
 | |
| 
 | |
| @item x265-params
 | |
| Set x265 options using a list of @var{key}=@var{value} couples separated
 | |
| by ":". See @command{x265 --help} for a list of options.
 | |
| 
 | |
| For example to specify libx265 encoding options with @option{-x265-params}:
 | |
| 
 | |
| @example
 | |
| ffmpeg -i input -c:v libx265 -x265-params crf=26:psy-rd=1 output.mp4
 | |
| @end example
 | |
| @end table
 | |
| 
 | |
| @section libxvid
 | |
| 
 | |
| Xvid MPEG-4 Part 2 encoder wrapper.
 | |
| 
 | |
| This encoder requires the presence of the libxvidcore headers and library
 | |
| during configuration. You need to explicitly configure the build with
 | |
| @code{--enable-libxvid --enable-gpl}.
 | |
| 
 | |
| The native @code{mpeg4} encoder supports the MPEG-4 Part 2 format, so
 | |
| users can encode to this format without this library.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| The following options are supported by the libxvid wrapper. Some of
 | |
| the following options are listed but are not documented, and
 | |
| correspond to shared codec options. See @ref{codec-options,,the Codec
 | |
| Options chapter} for their documentation. The other shared options
 | |
| which are not listed have no effect for the libxvid encoder.
 | |
| 
 | |
| @table @option
 | |
| @item b
 | |
| 
 | |
| @item g
 | |
| 
 | |
| @item qmin
 | |
| 
 | |
| @item qmax
 | |
| 
 | |
| @item mpeg_quant
 | |
| 
 | |
| @item threads
 | |
| 
 | |
| @item bf
 | |
| 
 | |
| @item b_qfactor
 | |
| 
 | |
| @item b_qoffset
 | |
| 
 | |
| @item flags
 | |
| Set specific encoding flags. Possible values:
 | |
| 
 | |
| @table @samp
 | |
| 
 | |
| @item mv4
 | |
| Use four motion vector by macroblock.
 | |
| 
 | |
| @item aic
 | |
| Enable high quality AC prediction.
 | |
| 
 | |
| @item gray
 | |
| Only encode grayscale.
 | |
| 
 | |
| @item gmc
 | |
| Enable the use of global motion compensation (GMC).
 | |
| 
 | |
| @item qpel
 | |
| Enable quarter-pixel motion compensation.
 | |
| 
 | |
| @item cgop
 | |
| Enable closed GOP.
 | |
| 
 | |
| @item global_header
 | |
| Place global headers in extradata instead of every keyframe.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @item trellis
 | |
| 
 | |
| @item me_method
 | |
| Set motion estimation method. Possible values in decreasing order of
 | |
| speed and increasing order of quality:
 | |
| 
 | |
| @table @samp
 | |
| @item zero
 | |
| Use no motion estimation (default).
 | |
| 
 | |
| @item phods
 | |
| @item x1
 | |
| @item log
 | |
| Enable advanced diamond zonal search for 16x16 blocks and half-pixel
 | |
| refinement for 16x16 blocks. @samp{x1} and @samp{log} are aliases for
 | |
| @samp{phods}.
 | |
| 
 | |
| @item epzs
 | |
| Enable all of the things described above, plus advanced diamond zonal
 | |
| search for 8x8 blocks, half-pixel refinement for 8x8 blocks, and motion
 | |
| estimation on chroma planes.
 | |
| 
 | |
| @item full
 | |
| Enable all of the things described above, plus extended 16x16 and 8x8
 | |
| blocks search.
 | |
| @end table
 | |
| 
 | |
| @item mbd
 | |
| Set macroblock decision algorithm. Possible values in the increasing
 | |
| order of quality:
 | |
| 
 | |
| @table @samp
 | |
| @item simple
 | |
| Use macroblock comparing function algorithm (default).
 | |
| 
 | |
| @item bits
 | |
| Enable rate distortion-based half pixel and quarter pixel refinement for
 | |
| 16x16 blocks.
 | |
| 
 | |
| @item rd
 | |
| Enable all of the things described above, plus rate distortion-based
 | |
| half pixel and quarter pixel refinement for 8x8 blocks, and rate
 | |
| distortion-based search using square pattern.
 | |
| @end table
 | |
| 
 | |
| @item lumi_aq
 | |
| Enable lumi masking adaptive quantization when set to 1. Default is 0
 | |
| (disabled).
 | |
| 
 | |
| @item variance_aq
 | |
| Enable variance adaptive quantization when set to 1. Default is 0
 | |
| (disabled).
 | |
| 
 | |
| When combined with @option{lumi_aq}, the resulting quality will not
 | |
| be better than any of the two specified individually. In other
 | |
| words, the resulting quality will be the worse one of the two
 | |
| effects.
 | |
| 
 | |
| @item ssim
 | |
| Set structural similarity (SSIM) displaying method. Possible values:
 | |
| 
 | |
| @table @samp
 | |
| @item off
 | |
| Disable displaying of SSIM information.
 | |
| 
 | |
| @item avg
 | |
| Output average SSIM at the end of encoding to stdout. The format of
 | |
| showing the average SSIM is:
 | |
| 
 | |
| @example
 | |
| Average SSIM: %f
 | |
| @end example
 | |
| 
 | |
| For users who are not familiar with C, %f means a float number, or
 | |
| a decimal (e.g. 0.939232).
 | |
| 
 | |
| @item frame
 | |
| Output both per-frame SSIM data during encoding and average SSIM at
 | |
| the end of encoding to stdout. The format of per-frame information
 | |
| is:
 | |
| 
 | |
| @example
 | |
|        SSIM: avg: %1.3f min: %1.3f max: %1.3f
 | |
| @end example
 | |
| 
 | |
| For users who are not familiar with C, %1.3f means a float number
 | |
| rounded to 3 digits after the dot (e.g. 0.932).
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @item ssim_acc
 | |
| Set SSIM accuracy. Valid options are integers within the range of
 | |
| 0-4, while 0 gives the most accurate result and 4 computes the
 | |
| fastest.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @section mpeg2
 | |
| 
 | |
| MPEG-2 video encoder.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @table @option
 | |
| @item seq_disp_ext @var{integer}
 | |
| Specifies if the encoder should write a sequence_display_extension to the
 | |
| output.
 | |
| @table @option
 | |
| @item -1
 | |
| @itemx auto
 | |
| Decide automatically to write it or not (this is the default) by checking if
 | |
| the data to be written is different from the default or unspecified values.
 | |
| @item 0
 | |
| @itemx never
 | |
| Never write it.
 | |
| @item 1
 | |
| @itemx always
 | |
| Always write it.
 | |
| @end table
 | |
| @end table
 | |
| 
 | |
| @section png
 | |
| 
 | |
| PNG image encoder.
 | |
| 
 | |
| @subsection Private options
 | |
| 
 | |
| @table @option
 | |
| @item dpi @var{integer}
 | |
| Set physical density of pixels, in dots per inch, unset by default
 | |
| @item dpm @var{integer}
 | |
| Set physical density of pixels, in dots per meter, unset by default
 | |
| @end table
 | |
| 
 | |
| @section ProRes
 | |
| 
 | |
| Apple ProRes encoder.
 | |
| 
 | |
| FFmpeg contains 2 ProRes encoders, the prores-aw and prores-ks encoder.
 | |
| The used encoder can be chosen with the @code{-vcodec} option.
 | |
| 
 | |
| @subsection Private Options for prores-ks
 | |
| 
 | |
| @table @option
 | |
| @item profile @var{integer}
 | |
| Select the ProRes profile to encode
 | |
| @table @samp
 | |
| @item proxy
 | |
| @item lt
 | |
| @item standard
 | |
| @item hq
 | |
| @item 4444
 | |
| @end table
 | |
| 
 | |
| @item quant_mat @var{integer}
 | |
| Select quantization matrix.
 | |
| @table @samp
 | |
| @item auto
 | |
| @item default
 | |
| @item proxy
 | |
| @item lt
 | |
| @item standard
 | |
| @item hq
 | |
| @end table
 | |
| If set to @var{auto}, the matrix matching the profile will be picked.
 | |
| If not set, the matrix providing the highest quality, @var{default}, will be
 | |
| picked.
 | |
| 
 | |
| @item bits_per_mb @var{integer}
 | |
| How many bits to allot for coding one macroblock. Different profiles use
 | |
| between 200 and 2400 bits per macroblock, the maximum is 8000.
 | |
| 
 | |
| @item mbs_per_slice @var{integer}
 | |
| Number of macroblocks in each slice (1-8); the default value (8)
 | |
| should be good in almost all situations.
 | |
| 
 | |
| @item vendor @var{string}
 | |
| Override the 4-byte vendor ID.
 | |
| A custom vendor ID like @var{apl0} would claim the stream was produced by
 | |
| the Apple encoder.
 | |
| 
 | |
| @item alpha_bits @var{integer}
 | |
| Specify number of bits for alpha component.
 | |
| Possible values are @var{0}, @var{8} and @var{16}.
 | |
| Use @var{0} to disable alpha plane coding.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @subsection Speed considerations
 | |
| 
 | |
| In the default mode of operation the encoder has to honor frame constraints
 | |
| (i.e. not produce frames with size bigger than requested) while still making
 | |
| output picture as good as possible.
 | |
| A frame containing a lot of small details is harder to compress and the encoder
 | |
| would spend more time searching for appropriate quantizers for each slice.
 | |
| 
 | |
| Setting a higher @option{bits_per_mb} limit will improve the speed.
 | |
| 
 | |
| For the fastest encoding speed set the @option{qscale} parameter (4 is the
 | |
| recommended value) and do not set a size constraint.
 | |
| 
 | |
| @section libkvazaar
 | |
| 
 | |
| Kvazaar H.265/HEVC encoder.
 | |
| 
 | |
| Requires the presence of the libkvazaar headers and library during
 | |
| configuration. You need to explicitly configure the build with
 | |
| @option{--enable-libkvazaar}.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item b
 | |
| Set target video bitrate in bit/s and enable rate control.
 | |
| 
 | |
| @item kvazaar-params
 | |
| Set kvazaar parameters as a list of @var{name}=@var{value} pairs separated
 | |
| by commas (,). See kvazaar documentation for a list of options.
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @section QSV encoders
 | |
| 
 | |
| The family of Intel QuickSync Video encoders (MPEG-2, H.264 and HEVC)
 | |
| 
 | |
| The ratecontrol method is selected as follows:
 | |
| 
 | |
| @itemize @bullet
 | |
| @item
 | |
| When @option{global_quality} is specified, a quality-based mode is used.
 | |
| Specifically this means either
 | |
| @itemize @minus
 | |
| @item
 | |
| @var{CQP} - constant quantizer scale, when the @option{qscale} codec flag is
 | |
| also set (the @option{-qscale} ffmpeg option).
 | |
| 
 | |
| @item
 | |
| @var{LA_ICQ} - intelligent constant quality with lookahead, when the
 | |
| @option{look_ahead} option is also set.
 | |
| 
 | |
| @item
 | |
| @var{ICQ} -- intelligent constant quality otherwise.
 | |
| @end itemize
 | |
| 
 | |
| @item
 | |
| Otherwise, a bitrate-based mode is used. For all of those, you should specify at
 | |
| least the desired average bitrate with the @option{b} option.
 | |
| @itemize @minus
 | |
| @item
 | |
| @var{LA} - VBR with lookahead, when the @option{look_ahead} option is specified.
 | |
| 
 | |
| @item
 | |
| @var{VCM} - video conferencing mode, when the @option{vcm} option is set.
 | |
| 
 | |
| @item
 | |
| @var{CBR} - constant bitrate, when @option{maxrate} is specified and equal to
 | |
| the average bitrate.
 | |
| 
 | |
| @item
 | |
| @var{VBR} - variable bitrate, when @option{maxrate} is specified, but is higher
 | |
| than the average bitrate.
 | |
| 
 | |
| @item
 | |
| @var{AVBR} - average VBR mode, when @option{maxrate} is not specified. This mode
 | |
| is further configured by the @option{avbr_accuracy} and
 | |
| @option{avbr_convergence} options.
 | |
| @end itemize
 | |
| @end itemize
 | |
| 
 | |
| Note that depending on your system, a different mode than the one you specified
 | |
| may be selected by the encoder. Set the verbosity level to @var{verbose} or
 | |
| higher to see the actual settings used by the QSV runtime.
 | |
| 
 | |
| Additional libavcodec global options are mapped to MSDK options as follows:
 | |
| 
 | |
| @itemize
 | |
| @item
 | |
| @option{g/gop_size} -> @option{GopPicSize}
 | |
| 
 | |
| @item
 | |
| @option{bf/max_b_frames}+1 -> @option{GopRefDist}
 | |
| 
 | |
| @item
 | |
| @option{rc_init_occupancy/rc_initial_buffer_occupancy} ->
 | |
| @option{InitialDelayInKB}
 | |
| 
 | |
| @item
 | |
| @option{slices} -> @option{NumSlice}
 | |
| 
 | |
| @item
 | |
| @option{refs} -> @option{NumRefFrame}
 | |
| 
 | |
| @item
 | |
| @option{b_strategy/b_frame_strategy} -> @option{BRefType}
 | |
| 
 | |
| @item
 | |
| @option{cgop/CLOSED_GOP} codec flag -> @option{GopOptFlag}
 | |
| 
 | |
| @item
 | |
| For the @var{CQP} mode, the @option{i_qfactor/i_qoffset} and
 | |
| @option{b_qfactor/b_qoffset} set the difference between @var{QPP} and @var{QPI},
 | |
| and @var{QPP} and @var{QPB} respectively.
 | |
| 
 | |
| @item
 | |
| Setting the @option{coder} option to the value @var{vlc} will make the H.264
 | |
| encoder use CAVLC instead of CABAC.
 | |
| 
 | |
| @end itemize
 | |
| 
 | |
| @section vc2
 | |
| 
 | |
| SMPTE VC-2 (previously BBC Dirac Pro). This codec was primarily aimed at
 | |
| professional broadcasting but since it supports yuv420, yuv422 and yuv444 at
 | |
| 8 (limited range or full range), 10 or 12 bits, this makes it suitable for
 | |
| other tasks which require low overhead and low compression (like screen
 | |
| recording).
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @table @option
 | |
| 
 | |
| @item b
 | |
| Sets target video bitrate. Usually that's around 1:6 of the uncompressed
 | |
| video bitrate (e.g. for 1920x1080 50fps yuv422p10 that's around 400Mbps). Higher
 | |
| values (close to the uncompressed bitrate) turn on lossless compression mode.
 | |
| 
 | |
| @item field_order
 | |
| Enables field coding when set (e.g. to tt - top field first) for interlaced
 | |
| inputs. Should increase compression with interlaced content as it splits the
 | |
| fields and encodes each separately.
 | |
| 
 | |
| @item wavelet_depth
 | |
| Sets the total amount of wavelet transforms to apply, between 1 and 5 (default).
 | |
| Lower values reduce compression and quality. Less capable decoders may not be
 | |
| able to handle values of @option{wavelet_depth} over 3.
 | |
| 
 | |
| @item wavelet_type
 | |
| Sets the transform type. Currently only @var{5_3} (LeGall) and @var{9_7}
 | |
| (Deslauriers-Dubuc)
 | |
| are implemented, with 9_7 being the one with better compression and thus
 | |
| is the default.
 | |
| 
 | |
| @item slice_width
 | |
| @item slice_height
 | |
| Sets the slice size for each slice. Larger values result in better compression.
 | |
| For compatibility with other more limited decoders use @option{slice_width} of
 | |
| 32 and @option{slice_height} of 8.
 | |
| 
 | |
| @item tolerance
 | |
| Sets the undershoot tolerance of the rate control system in percent. This is
 | |
| to prevent an expensive search from being run.
 | |
| 
 | |
| @item qm
 | |
| Sets the quantization matrix preset to use by default or when @option{wavelet_depth}
 | |
| is set to 5
 | |
| @itemize @minus
 | |
| @item
 | |
| @var{default}
 | |
| Uses the default quantization matrix from the specifications, extended with
 | |
| values for the fifth level. This provides a good balance between keeping detail
 | |
| and omitting artifacts.
 | |
| 
 | |
| @item
 | |
| @var{flat}
 | |
| Use a completely zeroed out quantization matrix. This increases PSNR but might
 | |
| reduce perception. Use in bogus benchmarks.
 | |
| 
 | |
| @item
 | |
| @var{color}
 | |
| Reduces detail but attempts to preserve color at extremely low bitrates.
 | |
| @end itemize
 | |
| 
 | |
| @end table
 | |
| 
 | |
| @c man end VIDEO ENCODERS
 | |
| 
 | |
| @chapter Subtitles Encoders
 | |
| @c man begin SUBTITLES ENCODERS
 | |
| 
 | |
| @section dvdsub
 | |
| 
 | |
| This codec encodes the bitmap subtitle format that is used in DVDs.
 | |
| Typically they are stored in VOBSUB file pairs (*.idx + *.sub),
 | |
| and they can also be used in Matroska files.
 | |
| 
 | |
| @subsection Options
 | |
| 
 | |
| @table @option
 | |
| @item even_rows_fix
 | |
| When set to 1, enable a work-around that makes the number of pixel rows
 | |
| even in all subtitles.  This fixes a problem with some players that
 | |
| cut off the bottom row if the number is odd.  The work-around just adds
 | |
| a fully transparent row if needed.  The overhead is low, typically
 | |
| one byte per subtitle on average.
 | |
| 
 | |
| By default, this work-around is disabled.
 | |
| @end table
 | |
| 
 | |
| @c man end SUBTITLES ENCODERS
 | 
